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The band’s distinct sound and old time flair can be attributed to the bluegrass-rich area of North Carolina from which they hail and borrow their name. As the founding member and band leader for Carolina Road, Lorraine Jordan’s showmanship and chemistry with the audience makes the group one of the most popular bands among bluegrass fans today.
Lorraine, who has garnered two IBMA Awards, has fronted Carolina Road for over a decade and has eleven national recordings to her credit. The band has earned a reputation as one of the hardest working bands in bluegrass. Carolina Road plays worldwide and headlines two National Blue Grass festivals, Christmas in the Smokies and Cherokee. They have hosted the Canadian Bluegrass Awards, toured Europe and played twelve Blue Grass cruises.
Carolina Road’s performance is a traditional sound with a fresh approach which includes invigorating instrumentals, smooth blending vocals, and all the energy that you can stand.
Please share this video on your website, facebook, twitter, and any other social media site! Great music is universal and speaks to listeners and fans! Help spread the word of this new video, and you'll both influence and inspire both older and newer generations of bluegrass fans!360lefthttp://www.cybergrass.com/Video/player.swfTags: Lorraine Jordan & Carolina RoadVideo PremiereVideosingleLivin Like I'm DyingNew Release
Nashville, TN -- /CMA/ Nashville, TN --The Country Music Association announced today that Mac Wiseman, Hank Cochran, and Ronnie Milsap, and will become the newest members of the revered Country Music Hall of Fame. “Induction into the Country Music Hall of Fame is the highest honor achievable for a Country Music artist, songwriter, or industry leader and this year’s inductees are all highly deserving,” said Sarah Trahern, CMA Chief Executive Officer. “Hank’s songs have been recorded by everyone from Burl Ives to Etta James, George Strait to Ella Fitzgerald. Mac is a revered figure in the world of bluegrass and a founding Board member of the Country Music Association. And Ronnie is an incredibly gifted pianist and performer who is also one of the most successful and versatile crossover artists in our genre.”
Wiseman will be inducted in the “Veterans Era Artist” category while Milsap will be inducted in the “Modern Era Artist” category. Cochran will be inducted in the “Songwriter” category, which is awarded every third year in a rotation with the “Recording and/or Touring Musician Active Prior to 1980” and “Non-Performer” categories. Cochran, Milsap, and Wiseman will increase membership in the coveted Country Music Hall of Fame from 121 to 124 members.
Veterans Era Artist Mac Wiseman – Malcolm B. “Mac” Wiseman was born May 23, 1925, in Crimora, Va. At six-months old, Wiseman contracted polio, which he felt was a blessing. Because of his illness, he was kept inside and was not subjected to the field work that most children of the rural Shenandoah Valley were expected to do. His father would set the phonograph up by the wood stove and Wiseman would listen to old records over and over. His mother would write the lyrics from songs she heard on the radio into composition books for young Mac.
In 1943, Wiseman applied for a job at the Merck and Co. chemical plant, but because of the polio damage to his leg, he was turned down. That was when he made the decision to pursue his music.
Wiseman attended the Shenandoah Conservatory of Music in Virginia with help from the National Foundation for Infantile Paralysis, which would later become the March of Dimes. There Wiseman excelled in a radio course and accepted a job offer from WSVA in Harrisonburg, Va., where he read the news and farm reports and spun pop and Country records.
In 1946, Wiseman joined Molly O’Day’s band, where he developed a love of classic Country.
In 1948, Wiseman made his first foray into what would become known as bluegrass music. He joined Lester Flatt and Earl Scruggs as a member of the Foggy Mountain Boys, singing high harmonies and booking the band’s first concert dates. And in 1949, he joined Bill Monroe’s Bluegrass Boys where he played the Grand Ole Opry for the first time. He also recorded the classics “Traveling This Lonesome Road” and “Can’t You Hear Me Callin’” with Monroe. He left the band in 1949 to set out on his own.
Wiseman soon attracted the attention of the independent label Dot Records and was offered a recording contract. In 1951, Dot released Wiseman’s first single, “Tis Sweet To Be Remembered,” which became a career-making song and earned him the nickname the “voice with a heart.” Wiseman went on to record other classics including “Love Letters in the Sand,” “Jimmy Brown, the Newsboy,” “Ballad of Davy Crockett,” and “Shackles and Chains.”
Wiseman became a record executive in 1957 when he was tapped to head the Country Division of Dot Records. And in 1958, Wiseman was instrumental in the founding of the Country Music Association, becoming the organization’s first Secretary/Treasurer, demonstrating the respect he had earned as both an artist and a record executive.
During the 1960s Wiseman was a staple on the folk festival circuit and on college campuses. But he also played Carnegie Hall in 1962 on a bill headlined by Johnny Cash, which garnered him rave reviews in The New York Times.
From 1966 to 1971, Wiseman was Program Producer and Talent Director for the WWVA Wheeling Jamboree. During his tenure he stabilized the cast of performers and gave bluegrass prominence.
Most recently, Wiseman has released his music on his own Wise Records including a six-disc boxed set entitled The Mac Wiseman Story, featuring songs he recorded in the 1970s and a DVD collection called Mac Wiseman – An American Treasure. In 2007, he recorded a duet album with John Prine, Standard Songs for Average People, which was released by Oh Boy Records. He has also just completed an album with Merle Haggard, Vince Gill, and The Isaacs that will be released in 2014 and is also being interviewed for inclusion in the upcoming Ken Burns PBS documentary on Country Music. Wiseman will also be the first inductee into the Shenandoah Conservatory of Music Hall of Fame later this month.
“When you start listening to the radio as a kid, you want to hear your songs on there, because songs are bits of people’s lives, including your own,” said Milsap. “Then you dream that your songs and your music will mean enough to the people that, one day, they’ll put you in the Hall of Fame. Not for you, exactly, but for all the songwriters and musicians and especially the fans who tell you their life is in your songs. To me, that’s what the Hall of Fame is all about: how many people’s lives were held in your music. So many people I admire and have heard my story in their songs are already in the Hall, and I love the idea that maybe my music meant – to others - what those artists have meant to me.”
“Being a founding member of CMA, I have always been proud of my role in helping make Country Music popular,” said Wiseman. “Being inducted into the Country Music Hall of Fame is the icing on the cake and certainly a highlight of my career.”
Induction ceremonies for Cochran (who passed away in 2010), Milsap, and Wiseman will take place at the Country Music Hall of Fame and Museum in the CMA Theater later this year. Since 2007, the Museum’s Medallion Ceremony, an annual reunion of the Hall of Fame membership, has served as the official rite of induction for new members.
CMA created the Country Music Hall of Fame in 1961 to recognize noteworthy individuals for their outstanding contributions to the format with Country Music’s highest honor.
“All these distinguished Southerners overcame serious hardship before finding the opportunity to hone their talents to professional levels and make the inspired Country Music that has led to this moment,” said Kyle Young, Director and Chief Executive Officer of the Country Music Hall of Fame and Museum. “Their indelible mark has earned them Country Music’s highest honor, membership in the Country Music Hall of Fame.”
Hank Cochran – Garland Perry “Hank” Cochran was born Aug. 2, 1935 in Isola, Miss. After his parents’ divorce when Cochran was nine, he moved to Memphis to live with his father. But post-Depression life proved to be difficult and Cochran’s father ended up placing him in St. Peter’s Orphan home. After Cochran’s third attempt at running away from the orphanage, his father took him back to Mississippi to be raised by his grandparents.
At the age of 10, Cochran was playing guitar and singing at church. At 12, he and his uncle Otis hitchhiked from Mississippi to Hobbs, N.M. to work in the oilfields. But work as a roughneck was not only physically demanding, but dangerous. So after spending two years in the oilfields, Cochran headed to Los Angeles. Once there he got a job at a Sears & Roebuck. The company insisted he return to school since he was not yet 16.
While in Los Angeles, Cochran entered various amateur talent contests in the area with much success, giving him the idea to form a group to play at clubs and local events. His search for a guitar player led him to Eddie Cochran (no relation) who shared his passion for music. The teens formed a rock ‘n’ roll duo called The Cochran Brothers, which had minor success.
After the duo disbanded, Cochran made the move to Nashville in January of 1960 and began working as a songwriter for Pamper Music. That year he penned “Make the World Go Away,” which was recorded by both Ray Price and Eddie Arnold.
In addition to writing songs for Pamper Music, he also helped the company sign other songwriters, as well as acquire songs and get them recorded. Among those he signed to the publishing company’s roster was Willie Nelson, whom Cochran discovered singing at Tootsie’s Orchid Lounge.
In April of 1961 Patsy Cline released Cochran’s “I Fall to Pieces” (co-written with Harlan Howard), which afforded Cochran the opportunity to give up his extra jobs and become a full time songwriter. Soon after, Cochran was playing guitar with Justin Tubb on the Grand Ole Opry, touring with Price, and scoring his first hit as a recording artist with the Top 20 single “Sally Was a Good Old Girl.” He also earned three BMI Awards for songs he had written on his own, and became a co-owner (along with Price) of Pamper Music.
In 1974 Cochran was unanimously voted into the Nashville Songwriters Hall of Fame.
In 1996, Cochran topped the Americana chart as a recording artist with Desperate Men: The Legend and the Outlaw. In 2002 he released another album, Livin’ For a Song: A Songwriters Autobiography.
Cochran’s songs have been recorded by a wide variety of artists including Chet Atkins, Junior Brown, Jimmy Buffett, Johnny Cash, Elvis Costello, Bing Crosby, Vern Gosdin, Merle Haggard, Emmylou Harris, Waylon Jennings, Tom Jones, Loretta Lynn, Dean Martin, Wayne Newton, Elvis Presley, Reba, Linda Ronstadt, George Strait, and Lee Ann Womack. He has penned some of music’s classic tunes including “She’s Got You,” “Set ‘Em Up Joe,” “The Chair,” “Is It Raining At Your House,” “Miami, My Amy,” “Ocean Front Property,” and “Don’t You Ever Get Tired of Hurting Me.”
His catalog has generated more than 36 million performances, which, if played back-to-back, would amount to more than 200 years of continuous airplay.
Cochran passed away on July 15, 2010 surrounded by friends, family, and music - Jamey Johnson, Billy Ray Cyrus, and producer/songwriter Buddy Cannon were passing a guitar around in Cochran’s bedroom, singing songs and telling tales.
Modern Era Artist
Ronnie Milsap – Ronnie Lee Milsap was born Jan. 16, 1943, in Robbinsville, N.C. A congenital disorder left him almost blind, and he was raised by his grandmother in the Smoky Mountains until the age of five, when he was sent to the Governor Morehead School for the Blind in Raleigh, N.C.
Showing an interest in music early on, at the age of seven his teachers recognized that he had considerable musical talent. He began studying classical music and learned several instruments, eventually mastering the piano.
His youthful passion for rock music led him to form a band with some high school classmates called The Apparitions. Briefly attending Young Harris College on a full scholarship, Milsap left before graduating to pursue a career in music.
In the early 1960s, Milsap played his first professional gigs as a member of J.J. Cale’s band. In 1965, he released “Total Disaster,” his first single as a solo artist, which achieved some local success in the Atlanta area.
In 1965, Milsap signed with New York-based Scepter Records where he scored an R&B Top 5 with the Ashford and Simpson-penned “Never Had It So Good.” While at Scepter, Milsap shared concert stages with James Brown, Stevie Wonder, and Ray Charles, who encouraged the young man to apply himself to music.
In 1969, Milsap moved to Memphis to become a session musician. Working with the legendary Chips Moman, he played keyboards on Elvis Presley’s “Kentucky Rain” and can be heard singing background on “Don’t Cry Daddy.” When not doing session work, Milsap and his ensemble served as the house band at the local music hotspot T.J.’s Club.
In 1970, Milsap found success on the pop charts with “Loving You Is a Natural Thing.” He recorded and released his eponymous debut album – produced by Dan Penn - in 1971.
In 1972, Milsap was performing at the Whiskey A-Go-Go where Charley Pride happened to be in the audience. Impressed with his soulful singing style, Pride encouraged Milsap to focus on Country Music. Moving to Nashville later that year, he began working with Pride’s manager, Jack D. Johnson. A year later, he signed with RCA Records and later that same year released his first Country single, the Top 10 “I Hate You.”
In 1974, Milsap scored two No. 1s: “Pure Love” and “Please Don’t Tell Me How the Story Ends,” which won his first Grammy. Another No. 1 followed the next year with “Daydreams About Night Things.”
In 1976, Milsap solidly established himself as one of Country Music’s biggest stars. A string of seven No. 1 hits in a row, including “(I’m a) Stand By My Woman Man,” “What a Difference You’ve Made in My Life,” and “It Was Almost Like a Song,” which was the most successful single of the 1970s. “Song” was the singer’s first crossover hit, peaking No. 7 on the adult contemporary chart and paving the way for Milsap to be named Billboard’s Artist of the Year (in any genre) in 1976.
This string of hits also kicked off a remarkable run in American pop music. With songs “(There’s) No Getting Over Me,” “I Wouldn’t Have Missed It For the World,” “Any Day Now,” “Stranger In My House,” “Lost in the Fifties Tonight,” “She Keeps the Home Fires Burning,” “Snap Your Fingers,” and “Where Do the Nights Go,” Milsap did not leave the Top 10 for 16 years.
Milsap also received myriad awards and accolades during this period. He won four CMA Album of the Year Awards (1975, 1977, 1978, and 1986), three CMA Male Vocalist of the Year trophies (1974, 1976, and 1977), and the coveted CMA Entertainer of the Year Award (1977). In addition, he won five Grammys for Best Male Country Vocal performance (1974, 1976, 1981, 1985, and 1986) and one Grammy for Best Country Collaboration with Vocals in 1988 for the Kenny Rogers duet “Make No Mistake, She’s Mine.”
In 1993, Milsap left RCA and signed with Liberty Records and released the album True Believer. In 2000, he released the two-CD set, 40 No. 1 Hits.
In 2004, Milsap recorded Just For a Thrill, a collection of American popular/jazz standards, which was nominated for a Grammy. Returning to Country in 2006 at his original home of RCA Records, he released My Life. It was followed in 2009 with Then Sings My Soul, a two-CD set collection of hymns and gospel songs.
On March 18 of this year, Milsap released Summer #17, his 31st album, which he describes as an homage to the music that inspired him. Hailed by USA Today, The Tennessean and NPR: National Public Radio, the set pays tribute to the influences that shaped Milsap’s singular brand of soul-steeped Country.
With 40 No. 1 hits and more than 35 million albums sold, Milsap remains one of Country’ Music’s most successful and beloved crossover artists. At 71, he continues to tour the country, playing his music for multiple generations of music lovers.
About CMA: Founded in 1958, the Country Music Association was the first trade organization formed to promote a type of music. In 1961, CMA created the Country Music Hall of Fame to recognize artists and industry professionals with Country Music’s highest honor. More than 7,000 music industry professionals and companies from around the globe are members of CMA. The organization’s objectives are to serve as an educational and professional resource for the industry and advance the growth of Country Music around the world. This is accomplished through CMA’s core initiatives: the CMA Awards, which annually recognize outstanding achievement in the industry; the CMA Music Festival, which benefits music education and is taped for a three-hour special; and “CMA Country Christmas,” featuring Country artists performing original music and Christmas classics for broadcast during the holiday season. All of CMA’s television properties will air on the ABC Television network through 2021.leftHank CochranTags: CMACountry Music Hall of FameMac WisemanHall of Fame
Abingdon, VA –Youth musicians from throughout Southwest Virginia will be featured at the 3rd Annual Crooked Road Youth Music Festival on Saturday, May 10th from 11:00 a.m. to 7:00 p.m. at Heartwood in Abingdon. 25 bands will perform on two stages throughout the day, and an “Old Time Square Dance” will take place inside Heartwood from 5-7 p.m. The square dance will feature Shawn Brenneman, caller, and The Lee Highway String Band.
The festival will highlight groups representing area traditional music programs such as the Mountain Music School String Band, Honaker FFA Bluegrass Band, WiseJAMS, and the Jamming Bobcats from Abingdon Elementary School.
Additional performers include the Blackberries, Tyler Hughes, the Yates Family Band, Travis Starkey & Cheryl Lunsford, Valley Grass, the Loose Strings Band, Adam McPeak & Mountain Thunder, the Patterson Family, the Butcher Family, Changing Lanes, Leigh Beamer, Oh Brother Where Am I?, Gravel Road, Pike City, and Close Kin – Our Roots Run Deep.
The Crooked Road Youth Music Festival is sponsored by Abingdon Convention and Visitors Bureau, Abingdon Olive Oil Company, First Bank & Trust Company, Heartwood, Highlands Union Bank, the National Endowment for the Arts, Pepsi Beverages Company, Virginia Department of Housing and Community Development, Virginia Commission for the Arts, the Wayne C. Henderson Scholarship Program, and Wordsprint.
Heartwood: Southwest Virginia’s Artisan Gateway is located off I-81 at Exit 14 in Abingdon, VA, and features food, music, and craft of Southwest Virginia. Admission to the festival is $5.00 for adults, $2.00 for children 6-12, and kids 5 and under are free.Tags: Youth Music SeriesThe Crooked RoadThe Crooked Road Music SeriesHeartwood
Vail, CO -- As previously announced, the Arrabelle at Vail Square will play host to the inaugural free Vail Summer Bluegrass Series featuring notable bluegrass talent; the Travelin’ McCourys ft. Bill Nershi (String Cheese Incident) - July 2, Peter Rowan’s Bluegrass Band - July 16, Sarah Jarosz - August 13 and the Drew Emmitt Band (Leftover Salmon) - August 27.
Kicking things off on July 2 will be Denver’s Chain Station while Golden’s Thunder & Rain will supply opening duties on July 16. Sarah Jarosz’s August 13 performance will be “An Evening With…” where she and her band will take on two 60-minute sets with no opener, and Denver-based Trout Steak Revival will wrap things up on August 27.
Additionally Vail Bluegrass is proud to welcome Bonfire Brewing of Eagle, Colorado as its exclusive beer sponsor. Vail Bluegrass will announce wine and spirits sponsors in the coming weeks. Attendees will have the opportunity to purchase Bonfire and the additional exclusive beverages within the boundaries of the concert space. Vail Bluegrass has made 30 tickets available per show for those looking to purchase a premium seat. These tickets may be purchased at www.vailbluegrass.com for $25 beginning Friday, April 25.
Vail Bluegrass would also like to acknowledge its initial supporting partners and sponsors: the Town of Vail, Antlers at Vail, Eco-Products, Sera Schools, Moe’s Original BBQ, Bonfire Brewing, the Vail Jazz Foundation, Rhizome Productions, the Vail Marriott Mountain Resort and the Lion Square Lodge.
There’s no place like Vail for year-round recreation, outdoor pursuits and cultural activities in the heart of the Rockies. Located just two hours west of Denver, Vail’s fresh air, rugged beauty and charming pedestrian village await visitors. Discover a quaint mountain town where outdoor activities abound and the performing arts flourish. Matching the incredible winter mountain experience, Vail from May through October is characterized by a rich culinary scene, family activities, a world-class events schedule and everything in between.
This summer guests can experience events like the new Vail Summer Bluegrass Series, GoPro Mountain Games, Vail Jazz Festival, the Vail International Dance Festival, BRAVO! Vail, USA Pro Challenge, Gourmet on Gore culinary festival and much more. Vail offers a diverse range of lodging options from luxury brands to boutique hotels, condominiums and vacation rentals. For more information on a Vail vacation, please visit www.vail.com. For more information on the community, please visit www.vailgov.comTags: Vail Summer Bluegrass SeriesConcertEventThe Travelin' McCourysPeter Rowan Bluegrass Band
Mandolin master Danny Roberts is no stranger to hard work and well-deserved accolades. The founding member of the award-winning Grascals has won several awards both on his own and as a member of that 3-time Grammy®-nominated group.
Recognition, however, has never been Roberts' goal. He is a true artist who continually strives for excellence and seeks new discoveries. His second solo project, Nighthawk: (Mountain Home), spotlights a seasoned and innovative player in his prime.
The recording is a eclectic mix of sophisticated acoustic stylings from Bluegrass to Swing to New Grass and includes some of Danny's Grascals bandmates as well as "musical idols, friends and family."
"It was so much recording tunes that I have written accompanied by such outstanding musicians. I'm very excited about the special guests that came in to record with me and I am truly honored to have them be part of this."
- Danny Roberts
The album line-up includes Kristin Scott Benson of the Grascals, Tim Surrett of Balsam Range, Tony Wray of Blue Mafia, and special guests include Ronnie McCoury, Sam Bush, Aubrey Haney, Mike Compton and vocal appearances by Danny's daughter Jaelee Roberts and his wife Andrea.Danny RobertsNighthawkCD ReleaseThe GrascalsMandolin
Union Grove, NC -- In 1924, H.P. Van Hoy, a schoolteacher and fiddler, thought of an innovative way to raise money for Union Grove School. He would hold a fiddler's convention. The convention became a tradition, carried on in recent years by Harper A. Van Hoy, H. P. Van Hoy's son. On May 23-25, 2014, the fourth generation of Van Hoy descendants will open the gate for the 90th iteration of that acclaimed musical institution: a weekend of competition, performances by invited musicians, workshops, jamming, and the renewal of years-long friendships. This is the oldest fiddler's contest in North America, acclaimed a Local Legacy by the Library of Congress, icon of the genre, and not to be missed. The Fiddler's Grove Ole Time Fiddler's and Bluegrass Festival is held at 1819 West Memorial Hwy., Union Grove, NC.
The weekend kicks off on Friday evening. The audience will hear from past winners and legendary musicians. Special entertainers for the weekend include performers with strong ties to this festival: The Cockman Family, Master Fiddler Robin Warren, Danny Wicker and Mel Jones, The Edwards Family, Sally Spring, The Shiver Show, Don Pedi, Lissy Rosemont, Taylor Dunn, the Laurel Creek String Band, and Storyteller Steve Houser. The festival has joined forces with the Green Grass and Cane Creek Cloggers to add to the music with a Barn Dance.
Saturday offers a day of competition for youth musicians in individual categories. This emphasis on youth competition is in keeping with the mission of the festival. Since 1924, Fiddler's Grove has enjoyed a long tradition of preserving old time and bluegrass music, and passing the legacy on to future generations. On Saturday morning you'll be able to attend workshops in numerous instruments, and clogging with the Green Grass and Cane Creek Cloggers. The afternoon will feature youth competition on the Youth Stage, a children's show, and Twin Fiddle and adult fiddle competition on the Main Stage.
Many things take place on the Main Stage Saturday evening. After a moving tribute to founder Harper A. Van Hoy, you will see some special entertainment, clogging, and, perhaps the highlight of the evening, the Fiddler of the Festival Playoff. Also returning is the popular "Hot Licks" competition, where musicians in all instruments will compete for the title "Best Jammer" of the festival.
In a long-standing tradition, Sunday morning is a lazy day of listening to gospel and good music under the trees "in the Grove" - a perfect ending for the weekend.
Fiddler's Grove Campground, the bucolic setting for this annual gathering of music lovers, is nicely suited for the execution and enjoyment of these great American musical traditions. The stated purpose of this festival - to preserve, promote and perpetuate traditional American music - is carried out in a fashion that invites every ticket holder to be a part of the grand continuum. Novice or expert, listener or competitor, youngster or otherwise: everyone can find a niche at Fiddler's Grove.
Donate to the cause at: http://www.gofundme.com/80827o
Festival Tickets available at http://fiddlersgrove.com/
Friday: Adults $10
Saturday: Adults $10
Sunday: Adults $5
Children 12 and under: free all weekend
Festival Tickets do not include camping.
Entire Festival: Adults $25 purchased at the gate or after May 10.
Advance Purchase Tickets: $20/Adult, must be purchased online on or before May 10.
No tickets will be mailed. Online purchase receipt for Advance Purchase Tickets must be shown at the gate.
A limited number of RV hookups are available. Visit http://fiddlersgrove.com/rv-sites/ to reserve your spot. Plenty of overflow RV camping is available at our cousin's campground 1 mile up the road.Tags: Fiddler's GroveBluegrass FestivalEventThe Cockman Family
Hailing from the Carolinas, The Gentlemen of Bluegrass, a collaborative project of master musicians Danny Stanley, JC Rowland, Tom Langdon, Greg Penny and Randy Smith have announced a scheduled release of their latest project, Carolina Memories, on Pinecastle Records, June 10, 2014.
“We are delighted to have “the Gents” as part of the Pinecastle Family,” said Ethan Burkhart, President of Pinecastle Records. “We think their close harmonies and Waller/Duffey influenced vocals provide a sound that is in keeping with the traditions of The Classic Country Gentlemen and Seldom Scene and are a prefect compliment to the music in our catalog.”
"This is such exciting news for us," said lead vocalist, Danny Stanley. "We are thrilled to join Pinecastle Records and share some of our favorite music with our fans. “Thanks so much to all of our fans, our producer, Lorraine Jordan, and our publicity team at Make Welcome Entertainment. All of these people are helping our music reach more people, which is the dream of all performers.”
Stanley, who is also known for his extraordinary vocal impersonations occasionally, brings “Hobo Joe” to the stage ensuring an exceptional show for live audiences. This fan favorite character from "down by the tracks," makes his appearance by terrifying the Gents and entertaining the audience with his imitations of Willie, Hank, Lester, and many other great vocalists.
The Gentlemen of Bluegrass is comprised of Danny Stanley (lead vocals/guitar), JC Rowland (tenor vocals/mandolin), Tom Langdon (resonator guitar/baritone vocals), Greg Penny (bassist/vocals), and Randy Smith (banjo/vocals). For booking information, contact Steve Dilling, Jordan Entertainment at email@example.com.Tags: Gentlemen of BluegrassCD ReleaseCarolina MemoriesDanny StanleyJC RowlandTom LangdonGreg PennyRandy SmithPinecastle
The Festival will include seven hours of performances by local bluegrass, folk and Americana artists, games and outdoor beverages provided by Whole Foods Market, REI Outdoor Activations, DC's favorite food trucks, Sierra Nevada beer, outdoor bike course and giveaways from BicycleSPACE, local music Island Stages presented by Gypsy Sally's and Acre 121, and a childrens stage with arts & crafts hosted by Boogie Babes.
"DC has many local treasures with a great cultural history. Kingman Island is one of our hidden environmental jewels and bluegrass owns a remarkable musical tradition in our city. This festival celebrates both."
- Tommy Wells, Ward 6 Council Member
Kingman Island located on the Anacostia River at 575 Oklahoma Avenue NE Washington, DC (entrance at RFK Stadium Lot 6). Biking and metro are encouraged. A free shuttle will run from Stadium/Armory Metro Station. Free parking is available in RFK Lot 6.
The Kingman Island Bluegrass & Folk Festival presented by Whole Foods Market is a collaboration between Living Classrooms, Councilman Tommy Wells' Office, REI, Boogie Babes, BicycleSPACE, Listen Local First programming partners Gypsy Sallys and Acre 121 and media partner WAMU's Bluegrass Country. All are welcome to attend.
The cost is a $10 suggested donation to support Living Classrooms' environmental education programming for DC youth on Kingman Island. Tickets can be purchased ahead of time at http://kingmanislandbluegrass.eventbrite.com or at area Whole Foods Market stores.Tags: Kingman Island Bluegrass & Folk FestivalBluegrass FestivalEvent
Hiltons, VA -- Clinch Mountain Music Fest is gearing up for its ninth-annual celebration of mountain music in Scott County, Virginia, on Saturday, May 3, 2014. Like last year’s festival, it will be held at the Carter Family Fold in Hiltons. The goal of Clinch Mountain Music Fest is to preserve and perpetuate the heritage of the Appalachian region through its’ music. This year’s festival is once again dedicated to Jay Dixon who chaired the festival for five years and passed away in January of 2012. The festival features special talent and relies heavily on old time mountain music. Featured artists are the Whitetop Mountain Band, Mountain Park Old Time Band, Nick McMillian and Backstep, and the Dry Hill Draggers. All of these groups are well known to Fold audiences. Expect a day of traditional Appalachian style music and fun!
Gates open at 12:00 noon for early seating. Admission is $15.00 per person – all day. Artisan and food vendors will be found around the grounds of the Carter Fold. In addition, there will be demonstrations of chair caning and wood carving. The festival begins at 3:00 p.m. with welcoming speakers and festival history. The Dry Hill Draggers kick off the festival followed by Nick McMillian and Backstep. Following a dinner break, Mountain Park Old Time Band will start the evening set with Whitetop Mountain Band closing out our festival. Dinner break will allow festival goers to visit the tents and attractions on the grounds. There will be a short break between the afternoon & evening bands for stage setup. The Carter Family Museum and A.P. Carter birthplace cabin will be open from noon to 7:00 p.m.
Whitetop Mountain Band is a family-based band from the highest mountains of Virginia. Whitetop is an area rich in old time music tradition, and this band has deep roots in mountain music. The band’s members have worked tirelessly to preserve the region’s style of old time fiddling and banjo picking and are legendary musicians and teachers of the style. Their shows are high energy and unlike any other show you have ever seen. There’s everything from fiddle and banjo instrumentals to powerful solos and harmony vocals on blues, classic country, honky tonk, traditional bluegrass numbers, old timey ballads, originals, four-part mountain gospel songs – and some flat foot dancing. Well-known for their charisma on stage and their ability to engage audiences of all ages, this group has been performing at the Carter Fold since shows first began at the A.P. Carter Grocery in the 1970s.
The Whitetop Mountain Band is one of the most popular dance bands of the Appalachian Mountains. They have a great following at square dances all over Virginia, North Carolina, Tennessee, and Kentucky at venues like the Carter Fold. The group has performed throughout the U.S. at festivals, concerts, competitions, and colleges. The Smithsonian Folklike Festival, National Folklife Festival, World Music Institute in New York City, the Carter Family Festival, the Dock Boggs Festival, the World’s Fair, the Virginia Arts Festival, Floydfest, Ola Belle Reed Festival, and Merlefest are a few of the many festivals that have featured the band. The group has toured in England, Wales, Ireland, and Australia. They have taught at workshops and classes all over the U.S. Arhoolie, the Virginia Foundation of the Humanities, JuneAppal, Heritage, and Rounder Records are a few of the labels they have recorded for. In addition, they have been featured in many magazines, TV shows, and radio programs.
The band originated with Albert Hash in the 1940s. Albert was a well-known and beloved fiddler and luthier. As a teenager, Albert played with Henry Whitter of Grayson & Whitter. Grayson & Whitter recorded in the 1920s. The tune “Hangman’s Reel” that Albert recorded is the same version played by so many old time musicians today. He taught Wayne Henderson, Audrey Ham, and many others to build instruments.
In the 1970s, Albert’s brother-in-law, Thornton Spencer, and his wife Emily joined Albert in the Whitetop Mountain Band. The three also started an old time music program at Mt. Rogers School, a small K-12 public school in Whitetop. The students learn fiddle, banjo, guitar, bass, and dancing. Emily Spencer has carried on the program, and it has received regional and national attention for its’ uniqueness – including Grammy and CMT nominations. The Whitetop Mountain Band is still carried on today by Thornton Spencer on fiddle and Emily Spencer on banjo and vocals. Their daughter, Martha Spencer, plays with the band as well. She is a multi-instrumentalist (guitar, banjo, fiddle, and bass) as well as a fine vocalist and an excellent dancer. Jackson Cunningham plays mandolin, guitar, clawhammer banjo, and the harmonica; and he does vocals for the group. Jackson is originally from Oregon, and he’s played music since early childhood. He has performed with duet and trio groups and recorded on the VFH label. Debbie Bramer moved from Michigan to Fancy Gap, Virginia. She plays bass in the band and dances. Debbie has been part of several clogging teams and has been active in many dance workshops and competitions. Ersel Fletcher plays guitar and adds his vocal talent to the group.
The fast-paced mountain music of the Whitetop Mountain Band of Grayson County is definitely a family affair. Lots of people play old time music, but no one plays it with as much fierce intensity – or absolute fun – as the Whitetop Mountain Band! For additional information on the group, go to http://whitetopmountainband.com/.
Mountain Park Old Time Band was formed six years ago as a group of friends who happened to enjoy old time music got together to have a good time. Over the past several years, the Mountain Park Old Time Band has been creating a stir in old time music circles. The group has five members - all of whom are very versatile and talented musicians. Nancy and Johnny Gentry played for years with the Whitetop Mountain Band. Johnny plays guitar, dobro, and fiddle as well as doing vocals for the band. Nancy drives the rhythm with her excellent bass playing. She and Johnny both teach music, and Johnny also makes beautiful banjos. Roger Stamper handles the fiddling for the group and he plays guitar and bass as well. C. T. Janney plays the washboard – an “instrument” rarely played today. C.T. also cuts a mean rug when he dances. Dr. Mark Handy plays banjo and does vocals – he’s also a champion clogger. When he’s not playing old time, Dr. Handy practices medicine in Abingdon, Virginia, and helps run his family’s farm.
The Mountain Park Old Time Band has played at the Blue Ridge Music Center, the Alleghany Jubilee, the Rex Theater, and at Bristol’s Rhythm and Roots Festival. They have also been featured on National Public Radio. The group has released two CDs – Fire on the Dance Floor and Dancing with Sally Goodin. Their group has very quickly become a Carter Fold favorite. Nothing gets you out of your seat and on the dance floor faster than a rousing old time band. For more information on the group, go to http://www.mountainparkoldtimeband.com/.
Backstep performs old time stringband music in the “Round Peak style” native to Mount Airy, North Carolina. Known for its driving rhythms and prominent melodies,Round Peak music is just the thing to make you kick up your heels and dance. Back Step features Chester McMillian (a founding member of the band) on guitar and his son Nick McMillian on fiddle (he also plays banjo and bass).
Chester McMillian, one of the band’s founders, was born in Carroll County, Virginia, into a musical family and community. He has played traditional old time Round Peak style music since his childhood. By the time he was eleven or twelve, he was living in Surry County and taking an active part in the Round Peak music community. In 1962, Chester married into Dix Freeman’s family, and the two began playing a lot of music together. Chester played guitar with Tommy Jarrell for years, and he developed his guitar style specifically to play with Tommy. He also played and recorded with Dix Freeman, Kirk Sutphin, and Greg Hooven – with whom he founded Backstep.
Nick McMillian was raised in the Round Peak community surrounded by music. He is truly of the tradition, bringing a whole family history into his banjo, fiddle, and bass playing. He first learned to play banjo from his grandfather, Dix Freeman, whose style he can closely imitate. He also plays Round Peak style fiddle. Steeped in music from an early age, Nick made his first recording – Backstep – at age eleven. He has performed in public since the ripe old age of eight. He also recorded with the New Pilot Mountaineers on fiddle and banjo. Nick’s musical mentors include Fred Cockerham, his grandfather Dix Freeman, and his father, Chester McMillian.
Backstep has performed at the Fold in years past, and recently returned to begin playing again. The Fold is proud to welcome them back. Backstep has won first place in the old time band competition at the Mount Airy Fiddler’s Convention and the Fiddler’s Grove fiddler’s convention. The group was featured on Mike Seeger’s Old Time Banjo Styles instructional video featuring Kirk Sutphin on banjo. For more information go to www.myspace.com/backstepmusic.
The Dry Hill Draggers started out in 1981. From Franklin County, Virginia, the group included Jimmy Boyd on banjo and his brother, Billy. Although several founding members are now gone, the group has continued in the mountain tradition of a multi-generational, traditional, old time string band. While jamming in the 1970s in the Dryhill and Ferrum area, some of the musicians were falling behind. Edgar Crowe said since they were dragging behind on their timing, he was going to call the group the Dry Hill Draggers. That name has stuck now for the past 30 years. The Ferrum, Virginia, area is home to most of those performing in the group today. They played at the 1982 World’s Fair, and they’re favorites at the Floyd Country Store and the Blue Ridge Music Center. Their knock-down driving beat is anything but “dragging.” In 2011, they placed second in the old time band category at Galax.
The group cut their first album in 1982. Over the next several years, the Draggers recorded and released eight albums and CDs. In 2011, they released an anniversary CD which celebrated 30 years. They’re now working on their 10th release. Stacy Boyd plays the doghouse bass. Jamie Boyd plays claw-hammer banjo. Billy Woods and Chris Prillaman play both fiddle and guitar. Jason Hambrick plays guitar, and founder Jimmy Boyd still performs with them just as he has for the past 30 years.
If old time is what you like, the Dry Hill Draggers will deliver. Flat-footers and two-steppers are welcome to come out and shake a leg with the Draggers. The group is known for their knock-down, hard-driving beat, and there will be lots of fiddle tunes and rare old time tunes that aren’t often heard commercially today.
Clinch Mountain Music Fest 2014 is presented by the Carter Family Memorial Music Center, Inc. Donations to support the continuation of our Appalachian music heritage are welcome and may be mailed to Carter Family Memorial Music Center, Inc., P.O. Box 111, Hiltons, Virginia, 24258, or given to our volunteer staff at the event.
Thank you to our sponsors the Scott County Virginia Star, Bryant Label Company, the Appalachian Cultural Music Association, the National Endowment for the Arts, and the Virginia Commission for the Arts. For information on Clinch Mountain Music Fest 2014, go to the Carter Music Center web site or the Clinch Mountain Music Fest web site: www.clinchfest.net.
Carter Family Memorial Music Center, Incorporated, is a nonprofit, rural arts organization established to preserve traditional, acoustic, mountain music. For further information on the center, go to http://www.carterfamilyfold.org. Shows from the Carter Family Fold can be accessed on the internet at http://www.carterfoldshow.com.
Carter Music Center is part of the Crooked Road: Virginia’s Heritage Music Trail. You can visit the Crooked Road Music Trail site at http://thecrookedroad.org. Partial funding for programs at the center is provided by the Virginia Commission for the Arts and the National Endowment for the Arts. For recorded information on shows coming up at the Fold, call 276-386-6054. The Fold is on Facebook – page Carter Fold – and Twitter – Twitter @carterfoldinfo.Tags: Clinch Mountain Music FestivalClinchFestCarter Family Fold
Equal parts fast-paced and soulful, this slightly folk, slightly bluegrass 5-song EP by The Way Down Wanderers pulls listeners in with its originality and thoughtfulness. Analog recording, powerfully unique vocals, instrumental solos, lively dynamics and standout melodies make up the experience that is, The Way Down Wanderers debut album, Path to Follow.
Playing, performing and writing together for just under a year, the Wanderers have built an impressive and fast growing following across the country with fans anxious for the release their debut record. CD release events will take place in May and June in Chicago, Saint Louis, Dubuque, Iowa and the band’s hometown of Peoria, IL.
Band members and half brothers, Collin Krause (17 year old vocalist, fiddle and mandolin player) and Ben Montalbano (23 year old banjo, piano and vocals) met each other for the first time 5 years ago. The two were shocked to find that not only were they both pursuing careers in music, but that they were both drawn to the same genres of music. You can listen to a National Public Radio story about the boys and the band here. http://wglt.org/wireready/news/ 2014/01/08504_01-31WayDownWanderers_113653.shtml
Former music students, the Wanderers are focusing on new material as well as performing shows at major venues in Chicago and Saint Louis this summer. The band is also planning a move to Nasvhille in the fall of 2014.Tags: The Way Down WanderersNew ReleaseEPPath to Follow
"The Rock Stars of Bluegrass," Dailey & Vincent, in partnership with Springer Mountain Farms and the Ryman Auditorium (http://ryman.com/bluegrass), announce the launch of a special fan-engaging sweepstakes in conjunction with the duo's performance July 17, 2014 during Bluegrass Nights at the famed Ryman Auditorium. The sweepstakes officially launched April 8, 2014 at 3 p.m. CDT and offers an exclusive Nashville experience prize pack to one lucky winner and a guest, compliments of Springer Mountain Farms.
Springer Mountain Farms President Gus Arrendale strongly believes in a family-centric healthy lifestyle in everything from good food to good music. "These artists stay true to the tradition of pure bluegrass music, just like Springer Mountain Farms stays pure with antibiotic-free chicken," he said.
Running from April 8 – June 27, with the winner announcement on June 30, the sweepstakes will offer a prize package full of one-of-a-kind Nashville experiences and activities, including:
- Transportation for two to Nashville
- Hotel accommodations for four nights
- Tickets to the Ryman Auditorium for July 17 to see Dailey & Vincent perform on Ryman Bluegrass Nights
- Pre-show reception meet & greet with Dailey & Vincent
- Tickets to the Grand Ole Opry for the night of July 18
- A Music City Backstage Attraction pass which includes admission to the Country Music Hall of Fame and Museum, Ryman daytime tour, Frist Center for visual arts and more
- Official Music City Gift Bag
Participants may visit the contest page powered through the Nashville Music City tourism page to be entered into the sweepstakes: http://www.visitmusiccity.com/form.aspx?formid=37. Fans may also visit Dailey & Vincent's website to enter the sweepstakes or to see a complete list of tour dates. For the complete schedule of this year's Springer Mountain Farms Bluegrass Nights at the Ryman running Thursdays, June 26 - July 31, visit the page here.
Dubbed by CMT as "The Rock Stars of Bluegrass," the Dailey & Vincent duo has been hailed throughout the music industry as one of the most exciting, reputable and elite Bluegrass bands in America, having won numerous awards for their uniquely contagious and riveting music. For more information about Dailey & Vincent, visit www.daileyandvincent.com.
A National Historic Landmark, the Ryman Auditorium was built as a tabernacle by Captain Thomas G. Ryman in 1892, served as the home of the Grand Ole Opry from 1943-74, and was completely renovated in 1994. The venue was voted the 2010, 2011, 2012 and 2013 Pollstar Theatre of the Year. For more information, visit www.ryman.com
Springer Mountain Farms is a Mt. Airy, Ga.-based poultry producer built on strong family values that promises the healthiest, most flavorful and top quality chickens on the market. Springer Mountain Farms' chickens are raised on a pesticide-free vegetarian diet without the use of antibiotics, steroids, growth stimulants or hormones. To learn more, visit www.SpringerMountainFarms.com or mobile at m.springermountainfarms.com. Find us on Facebook, Twitter @springermtnfarm and Pinterest.Tags: Dailey & VincentRyman AuditoriumBluegrass Nights at the RymanSpringer Mountain FarmsEventContest
Nashville, TN -- Bryan Sutton returns to Sugar Hill Records with his fourth solo release, Into My Own, on April 29, 2014. “The goal,” Bryan Sutton says, “was to try to make a record that only I could make.” Indeed, even a cursory listen is enough to establish that Into My Own, his fourth album for Sugar Hill Records, fulfills that goal—and does so in a way that reflects not only the instrumental virtuosity that his admirers have come to expect, but also the spirit and sensibilities of a musician intent on challenging himself to continuously grow in every way.
For those who think of him as just one of the best acoustic guitarists around, Into My Own will come as an unexpected revelation, while for those who’ve been following his evolution at least since 2009’s Almost Live, it deserves welcome as the culmination of a remarkable musical growth spurt—rich, varied, and, just as he says, a record that only he could make.
For what Into My Own does for the first time is present Bryan Sutton, not so much on his own (though there’s a bit of that too), but as an artist who’s worked his way into a musical place that’s all his own, and not just as a phenomenal guitarist, but as a singer and songwriter.
Featured alongside Bryan Sutton are some of the best pickers in the genre, also true friends and collaborators; Bill Frisell joins in for “Frissell’s Rag” while Noam Pikelny, Sam Bush, Ronnie McCoury, Stuart Duncan and more stop in to play a few. Sutton takes center stage on “Run Away” and “Been All Around This World,” demonstrating even further how each track bursts with its own energy.
In addition to past and present touring with musicians such as Chris Thile, Earl Scruggs, Hot Rize, Ricky Skaggs and others, Bryan Sutton is one of Nashville’s most in-demand session players and producers, recently taking the helm on Della Mae’s Grammy nominated This World Oft Can Be. Sutton earned a Grammy for Best Country Instrumental category for his duet on “Whiskey Before Breakfast” with Doc Watson in 2007. He has received two Grammys in the past for his participation in Ricky Skaggs’s Kentucky Thunder and is has been recognized as the International Bluegrass Music Association’s Guitar Player of the Year six times over.
“That’s one of the lessons of bluegrass,” he concludes. “Nobody gets here by accident. You’ve got to prove yourself, and you’ve got to continue to prove yourself. I’ve absorbed that, and I want to be that way.” If there’s any doubt, Into My Own should resolve it once and for all.
Tracklisting for Into My Own:
- "Cricket on the Hearth"
- "That’s Where I Belong"
- "Ole Blake"
- "Anyhow, I Love You"
- "Cumberland Reel"
- "Run Away"
- "Frisell’s Rag"
- "Overton Waltz"
- "Swannanoa Tunnel"
- "Watson’s Blues"
- "Log Jam"
- "Been All Around This World"
NASHVILLE, April 16, 2014 – The Country Music Hall of Fame® and Museum celebrated a major milestone Tuesday afternoon, April 15, as it unveiled its 210,000-square-foot expansion, more than doubling the size of its iconic home in downtown Nashville. The grand opening ceremony, made possible with support from Ford Motor Company and the Middle Tennessee Ford Dealers, took place in the museum’s Event Hall overlooking the Nashville skyline.
Roof-raising performances by Country Music Hall of Fame member Vince Gill, the McCrary Sisters, Ricky Skaggs, the Valentines and Lee Ann Womack, accompanied by the Grand Opening All-Star Band, under the direction of Buddy Miller, served as soul-stirring reminders of the diverse musical family the museum exists to exalt, while Tennessee Governor Bill Haslam, Nashville Mayor Karl Dean, Museum Director Kyle Young and museum board Chairman Steve Turner each delivered inspiring commemorative remarks. The event drew hundreds of today’s music industry, government and community leaders, as well as original, longtime museum visionaries such as Country Music Hall of Fame member and board Chairman Emeritus Bud Wendell and enthusiastic members of the general public.
The celebration marked the final phase of the museum’s expansion—10,000 square feet of new gallery space—joining recently opened additions including the 800-seat CMA Theater, the Taylor Swift Education Center, a new home for the legendary and thriving letterpress operation Hatch Show Print and the Event Hall. The expansion also includes much-needed archival and library storage, allowing for even more robust cultivation of the museum’s treasured collection.
“The new interactive exhibits, along with our previously opened Taylor Swift Education Center, emphasize our commitment to educate our audience in new ways,” said Museum Director Kyle Young.
“Ultimately, all of this incredible growth enables the Country Music Hall of Fame and Museum to do what it does best even better,” said Young. “Our peerless staff can expand and focus on its core objective to preserve, interpret and teach the history of country music in a state-of-the-art facility built with that specific mission in mind.”
The debuting exhibits include the joint ACM Gallery and Dinah and Fred Gretsch Family Gallery, and the Design Gallery: A Window into the Collection. The ACM Gallery and the Dinah and Fred Gretsch Family Gallery feature an interactive, hands-on immersion into the country music of today. Items in the new exhibits range from recent history, such as Taylor Swift’s Pinnacle Award received from the CMA in November 2013, to the typewriter Don Schlitz used to compose “The Gambler.” The Design Gallery allows a behind-the-scenes view of museum staff hard at work on actual archival projects and offers additional display areas. The space is currently showing artifacts from the life and career of Country Music Hall of Fame member Glen Campbell.Tags: Country Music Hall of Fame and MuseumGrand OpeningEventMuseum
Sparta, TN -- Former members of Lester Flatt & the Nashville Grass, Roland White and Blake Williams, are set to honor the legendary singer and songwriter on Saturday, May 26th at MerleFest in Wilkesboro, NC with their special presentation of "100 Years Of Lester Flatt."
Considered one of the forefathers of Bluegrass music, Lester Flatt was the lead singer and guitarist for Bill Monroe and the Blue Grass Boys alongside Earl Scruggs, Chubby Wise and Howard Watts, who are credited with creating the "bluegrass" sound when they hit the stage of the Grand Ole Opry in December 1945. In 1948, Flatt and Scruggs left Monroe's band and began their own venture with much success. The duo traveled the country, sponsored by Martha White, and wrote and recorded a large part of bluegrass music that is still being recorded today. After Flatt & Scruggs disbanded in 1969, Flatt started his own band, The Nashville Grass that included Roland White on mandolin and later, Blake Williams on banjo.
Roland White joined The Nashville Grass in 1969 and worked with the group until 1973 when he left to join his brother, Clarence White, in a television venture. Blake Williams joined The Nashville Grass in 1978 and continued to perform with the band until Flatt passed away in 1979. White and Williams presented the idea to MerleFest Artist Relations Manager, Steve Johnson last year. "Lester would have been 100 years old this June and Roland and I felt it was so important to commemorate the life of this iconic person in bluegrass music history," states Blake Williams. "So we made our pitch to Steve and are so thankful that he and the MerleFest staff agreed that Lester should be honored in some way at this year's festival. Not only is it important for Roland and I to reminisce about Lester with the folks who knew him and his music, but it's essential that we continue to educate the younger generation on the people who made bluegrass what it is today."
Roland White and Blake Williams will present "100 Years Of Lester Flatt" at MerleFest on Saturday, May 26th. The event will take place at the Mayes Pit stage beginning at 10:45am ET, located on the Wilkes County Community College in Wilkesboro, NC. For more information on MerleFest including ticket information and a complete schedule, please visit www.merlefest.org. For more on Roland White and Blake Williams, visit www.RolandWhite.com and www.Facebook.com/blakewilliamsbluegrass.Tags: Roland WhiteBlake WilliamsLester FlattMerlefestTribute
Kalamazoo, MI -- Since their founding at the turn of the millenium, the five members of Greensky Bluegrass have fashioned a dynamic, intoxicating sound rooted in classic stringband Americana while branching outward to effortlessly encompass an array of styles and techniques. Their fifth studio album, If Sorrows Swim, is to be released on September 9, 2014 and distributed nationally by Thirty Tigers.
Featuring twelve new original compositions, If Sorrows Swim is a compelling snapshot of the evocative songwriting and fluid instrumental interplay that has made Greensky Bluegrass a word-of-mouth underground sensation.
“There’s this great duality to what we do,” explains Greensky mandolinist, vocalist, and songwriter Paul Hoffman. “We’re existing in a few different places at once: we’re a bluegrass band and a rock band, we’re song-driven and interested in extended improvisation.” Based in Kalamazoo, Michigan (home of the original Gibson Guitar-Mandolin factory), Greensky – which also includes dobro player Anders Beck, banjoist Michael Arlen Bont, guitarist and songwriter David Bruzza, and bassist Michael Devol – came to acoustic music after a thorough immersion in improv-fueled rock, giving them a uniquely open-ended perspective on the genre.
“While some may see potential limitations because of our instrumentation,” Beck reflects, “a really big part of what is Greensky Bluegrass is about is to essentially ignore those limitations.” If Sorrows Swim finds the band exploring the full range of their potential, from classically hard-driving bluegrass to more expansive, exploratory passages. At the heart of it all are a set of poetic, yearning pop songs – several of which have already been introduced to the groups growing legion of diehard followers in concert.
Tireless road warriors, Greensky have emerged as a club and festival favorite, earning spots on such illustrious stages as Bonnaroo, the Austin City Limits Festival, the New Orleans Jazz and Heritage Festival, and the Telluride Bluegrass Festival. An extensive, coast-to-coast tour to support the release of If Sorrows Swim will be announced in the weeks ahead.
If Sorrows Swim Track Listing:
- "Windshield" (P. Hoffman)
- "Burn Them" (P. Hoffman)
- "A Letter to Seymour" (D. Bruzza)
- "In Control" (P. Hoffman)
- "The Four" (P. Hoffman)
- "Worried About the Weather
- "Forget Everything" (P. Hoffman)
- "Kerosene" (D. Bruzza)
- "Demons" (P. Hoffman)
- "Wings for Wheels" (D. Bruzza)
- "Leap Year" (P. Hoffman)
- "Just Listening" (P. Hoffman)
On the web at:Greensky BluegrassCD ReleaseIf Sorrows Swim
Tickets for the Yonder Mountain String Band’s Harvest Music Festival are now available for sale. 3-day passes and VIP tickets as well as lineup information will be released this Spring. For all information regarding Yonder Mountain String Band’s Harvest Music Festival please visit the official website at www.yonderharvestfestival.com. The lineup will be announced soon.
With 4 stages, nearly 100 sets of music, workshops, outdoor activities, including plentiful kid-friendly programs, this year’s Harvest Music Festival is not to be missed.
Harvest Music Festival is an annual event featuring electrifying entertainment from some of the nation’s top performers. Join in on a remarkable weekend filled with music, camping, and celebration on the Mountain. Festival patrons may partake in numerous hands-on workshops as well as the Fiddlin’ and Pickin’ contest, all while enjoying the stunning beauty and fall foliage of the Ozark Mountains.
The organizers of Yonder Mountain String Band’s Harvest Music Festival are excited to announce the dates of the ninth annual festival. The magical weekend will take place Oct. 16-18, 2014 at the picturesque Mulberry Mountain near Ozark, Arkansas.Tags: Yonder Mountain String BandHarvest Music FestivalMusic FestivalEvent
Nashville, TN -- The International Bluegrass Music Association (IBMA) has announced the artists selected for the Bluegrass Ramble, an innovative series of showcases that will take place at select venues throughout downtown Raleigh, North Carolina during IBMA’s World of Bluegrass 2014 event, September 30 – Oct 4.
The IBMA’s Showcase Selection Committee looks at a variety of elements when determining who should fill the 30 showcase slots available, including emerging talent capable and willing to broaden the bluegrass market, established bands that are introducing substantial changes to their act and artists that have released significant new recorded material. From among 166 artists/bands who applied, the following were selected as Bluegrass Ramble Showcase artists:
Barbwire, Becky Buller, Compton & Newberry, Constant Change, Darin & Brooke Aldridge, Davidson Brothers, Donna Ulisse, Driven, Flatt Lonesome, Helen Highwater Stringband, Irene Kelly, Jeff Scroggins and Colorado, Jim Lauderdale, Monroe Crossing, Moore Brothers Band, Mr Sun, Mustered Courage, New Country Rehab, Newtown, Rebecca Frazier and Hit & Run, Red June, Sister Sadie, Special Consensus, The Barefoot Movement, The Danberrys, The Earl Brothers, The Grass Cats, The Lonely Heartstring Band, The Railsplitters and The Rigneys.
Bluegrass Ramble artist profiles and links can be seen at https://ibma.org/world-of-bluegrass/bluegrass-ramble/showcase-lineup
“This year, we had more applications for Bluegrass Ramble showcase opportunities than ever before, and our selection committee has done an outstanding job,” said Jon Weisberger, IBMA board chair. “The quality - and breadth - of the artists chosen to appear are at an all-time high. I believe that every one of them merits the attention of the industry, and I know that audiences attending their performances around Raleigh are going to find a lot to enjoy.”
In addition to these “official” showcase performers, artists will also be added to the Bluegrass Ramble via sponsored shows at the venues. The IBMA is also providing privately hosted “After Hours Showcases” (Tuesday – Saturday) as well as the new Friday and Saturday “Wide Open After Hours” showcase format, affording numerous opportunities for bands to perform at sanctioned IMBA events during World of Bluegrass 2014. The full Bluegrass Ramble schedule will be available in the coming months.
In response to IBMA member feedback, an additional showcase stage will be set in the Raleigh Convention Center, which will provide the opportunity for attendees to see all official showcase bands under one roof during the course of three days.
A welcome addition to the Bluegrass Ramble this year is a dedicated transportation system with extended hours, running non-stop between hotels and showcase venues. Provided by the city of Raleigh, the Ramble-dedicated transportation will be available Tuesday, Wednesday and Thursday during World of Bluegrass 2014, from 7 pm - 2 am.
The Bluegrass Ramble showcases will be held in the following venues:
- The Architect Bar & Social House: 108 12 E. Hargett Street, http://www.architectbar.com/
- Kings: 14 W. Martin Street, http://kingsbarcade.com/
- Lincoln Theatre: 430 S. Dawson Street, www.lincolntheatre.com
- Pour House Music Hall: 224 S. Blount Street, http://www.thepourhousemusichall.com/
- Raleigh Convention Center: http://www.raleighconvention.com
- Tir Na Nog: 218 S. Blount Street, http://www.tnnirishpub.com/
- Vintage Church: 117 S West Street, http://vintagenc.com
Admission to the Bluegrass Ramble is available to both IBMA Business Conference attendees (with ID) and to the general public via Bluegrass Ramble showcase wristbands. For additional details on the Bluegrass Ramble - and for tickets and registration for all events connected with World of Bluegrass 2014 - go to www.ibma.org/world-of-bluegrass
Those interested in co-sponsoring a Bluegrass Ramble showcases may contact Nancy Cardwell at IBMA: (615) 256-3222 or 888-GET-IBMA or by email at firstname.lastname@example.org.
IBMA’s World of Bluegrass event, an annual bluegrass music homecoming, consists of four parts: the IBMA Business Conference, September 30 – October 2, the 25th Annual International Bluegrass Music Awards, scheduled for Thursday evening, October 2, the Wide Open Bluegrass Music Festival, October 3-4 (which includes both free stages and ticketed performances) and the Bluegrass Ramble, an innovative series of showcases, taking place September 30 – October 2 in downtown Raleigh and at the Raleigh Convention Center.
The Greater Raleigh Convention and Visitors Bureau reported that last year’s World of Bluegrass event generated $10 million in direct visitor spending for that region, with total attendance for the week’s activities estimated to be over 154,000, exceeding expectations for the event’s first year in Raleigh. Over 300 performances by more than 160 different artists took place during World of Bluegrass 2013.
IBMA – the International Bluegrass Music Association – is the professional trade organization for the global bluegrass music community. The organization’s three-year stay in Raleigh is the result of a partnership with The Greater Raleigh Convention & Visitors Bureau, PineCone—The Piedmont Council of Traditional Music, the City of Raleigh and a local organizing committee. pTags: Bluegrass RambleIBMAInternational Bluegrass Music AssociationShowcase ArtistsLineupWorld of Bluegrass
An original song by James Reams and the late Tina Aridas, "Dogwood Tree" gives your listeners the bluegrass version of the Easter story. This song is included on the James Reams & The Barnstormers album, Barnstormin', and the song is available as a free download from NoiseTrade. Just click HERE or on the album graphic above and follow the easy steps. We hope you enjoy this Easter-related song as well as the many other fine offerings on this album.
John Lupton of Country Standard Time had the following to say about the album: “This is hard-core bluegrass from down home… The originals, like ‘Buffalo Creek Flood’ and ‘The Cincinnati Southern,’ are story-telling songs in the classic country mold.” To read more reviews about the album, please go to www.jamesreams.com.
James Reams & the Barnstormers play traditional bluegrass music with an old-time country edge, and a sound that’s very much their own. Coming from a family of traditional singers in southeastern Kentucky, James has played both old-time and bluegrass music since he was just a little sprout. James is known as an “Ambassador of Bluegrass” for his dedication to and deep involvement in the thriving bluegrass and Americana music community. In 2013 the band will be promoting its’ 20-year anniversary with a Coast-to-Coast Celebration featuring special guest performances and reunions with previous band members.
Lyrics for "Dogwood Tree"
(by James Reams and Tina Aridas, BMI)
A dogwood tree grew on a hill
Its petals white and pure
From its thick trunk a cross was formed
The cross our Lord endured
He was nailed on that dogwood cross
As the sky turned black as coal
He gave his life for all our sins
He died to save our souls
The blossoms in the springtime
Reveal the crown of thorns
The berries are a crimson red
But bitter when they’re born
A mighty tree was cursed the day
The stone sealed up the tomb
But glorious jubilation
When the dogwood is in bloom
James Reams & The Barnstormers will be appearing at the Ramona Bluegrass and Old West Festival on Saturday, May 3rd along with Hot Club of Cowtown, Lonesome Otis, Bluegrass Etc and more than 25 other bluegrass bands on 3 stages. A bluegrass band that was nominated by the International Bluegrass Music Association in 2002 as Emerging Artist of the Year, James Reams & The Barnstormers provide a contemporary take on traditional bluegrass; blending it with innovation and vitality to create their own branch on the “roots” tree. In a review of an early album by James Reams, fRoots (an international magazine that specializes in world music) declared, “Traditional music kept alive by a stylish performer… Powerful, emotional music that needs to be heard.”
The festival runs May 2, 3 and 4 and is held at the Ramona Community Park located at 421 Aqua Lane in Ramona, CA — just 45 minutes northeast of San Diego. Besides great bluegrass music, the 3-day festival will include more than a dozen workshops and a raffle for a Deering Goodtime Banjo. Plus the event plays host to an “Old West History Encampment” featuring re-enactors outfitted in period dress of the 1700s and 1800s. Visit the Civil War camp, see a Prairie Schooner, talk to a mountain man and learn what life was like in these wild and wooly days.Tags: James Reams & The BarnstormersJames ReamsTina AridasDogwood TreesingleDigital Downloads
Johnny's long-bow fiddling style is modeled after the late and great Kenny Baker, as well as his brother Jimmy Campbell, who played extensively with both Jim & Jesse and Bill Monroe. To Johnny, Bluegrass is not just a genre of music, but a lifestyle. After 35 years as a sideman (starting as a rhythm guitar player at age 6), Johnny is now in front, singing his favorite tunes.
Johnny is a third generation fiddler hailing from Nashville, Tennessee. He grew up listening to Bluegrass greats such as Bill Monroe, Jimmy Martin, Jim & Jesse & the Virginia Boys, and the Stanley Brothers. To Johnny, Bluegrass is not just a genre of music, but a lifestyle. Sticking strictly to the roots of first generation bluegrass musicians, Johnny brings enthusiasm and charisma to an oft mislabeled musical category.
Sticking strictly to the roots of first generation bluegrass musicians, Johnny brings enthusiasm and charisma to an oft mislabeled musical category. Johnny has won several fiddle competitions over the years, including Uncle Dave Macon Days, LaGrange Fiddle Competition, and Yeehaw Junction.
He is a founding member of the Volunteer String Band (a Nashville Jamgrass band), has toured with James Monroe and helped San Francisco based band Windy Hill win several band competitions, including Emerging Artist in The California Bluegrass Association, First Place at Yonder Mountain String Band's String Summit and Second Place at Rocky Grass. After 35 years as a sideman Johnny is now up front.
Johnny Campbell & The Bluegrass Drifters
CD Release Show
Sunday, April 27th, 2014, 5PM
DRIFTERS BBQ, East Nashville, TN
Off The Wagon Opens The Show
In the famous words of Johnny himself, "Let's Pick!" Johnny started the Bluegrass Drifters in Santa Cruz, California with his wife Whitney.Tags: Johnny Campbell & The Bluegrass DriftersCD ReleaseCD Release Party
Los Angeles, CA -- Omnivore Recordings will soon release the full-length version of The Garden Spot Programs, 1950, featuring 24 performances, unheard for 64 years, from country music legend Hank Williams. Rescued from obscurity, these shows originally aired more than six decades ago; The Garden Spot Programs, 1950 collects material from the four episodes now known to exist. Due out May 20, 2014, the set follows the release of Omnivore’s collectible 10” vinyl Record Store Day EP sampler.
From hits to standards to songs rarely (if ever) performed, this is pure Hank Williams, including playful between-song banter. Featuring fully restored audio, The Garden Spot Programs, 1950 is an exceptional listening experience. Painstakingly transferred, restored and mastered from original transcription discs by Grammy Award winning engineer Michael Graves. Williams’ daughter, Jett, is excited that her father’s lost material is not only seeing the light of day decades later, but will be available on CD, digital and LP.
The CD packaging contains rare photos and liner notes from the collection of set co-producer and Williams biographer Colin Escott. Also available on LP, the first pressing will be on limited edition, translucent red vinyl (with black vinyl to follow), containing Escott’s informative notes and a download card.
Escott writes in his notes: “Set the time machine for early morning on KSIB-AM, Creston, Iowa. February 1950. Country radio was beginning its slow transition from live music to DJ shows. Live music and DJ shows were augmented by transcribed shows. After buying 15 minutes of airtime on small-market stations, sponsors would prerecord shows with well known artists, duplicate them, and ship them out on 12 or 16-inch transcribed discs.”
“That’s how Hank Williams came to be on KSIB in February 1950. Sandwiched between the local ‘live’ acts, it was almost as if he were visiting with Skeets and those Radio Rascals. His sponsor was one of the nation’s largest plant nurseries, Naughton Farms, seven hundred miles south in Waxahachie, Texas. Given that Naughton was a big player in the nursery business, Hank’s shows were almost certainly shipped to many small stations, but only KSIB’s copies survived. Those of us who have studied Hank’s life and career had no idea that these recordings existed.”
Any music from Hank Williams is worth celebrating. Discovering material that has been unheard for generations is monumental.
“It’s incredible to me that we’re still finding new recordings by my dad — great ones at that,” says Jett Williams. “No one even suspected that these recordings existed. We partnered with Omnivore Recordings for this release, and I especially love it that they're taking my dad back to vinyl.”
- "The Garden Spot Jingle"
- "Lovesick Blues"
- "A Mansion On The Hill"
- "Fiddle Tune"
- "I've Just Told Mama Goodbye"
- "Closing/Oh! Susanna"
- "The Garden Spot Jingle"
- "Mind Your Own Business"
- "Lovesick Blues"
- "Fiddle Tune"
- "At The First Fall Of Snow"
- "Closing/Oh! Susanna"
- "The Garden Spot Jingle"
- "I Can't Get You Off Of My Mind"
- "I Don't Care (If Tomorrow Never Comes)"
- "Fiddle Tune"
- "Farther Along"
- "Closing/Oh! Susanna"
- "The Garden Spot Jingle"
- "I’ll Be A Bachelor ’Til I Die"
- "Wedding Bells"
- "Fiddle Tune"
- "Jesus Remembered Me"
- "Closing/Oh! Susanna"
Tracks 1 - 6 taken from Naughton Farms Garden Spot Show #4
Tracks 7 - 12 taken from Naughton Farms Garden Spot Show #9
Tracks 13 - 18 taken from Naughton Farms Garden Spot Show #10
Tracks 19 - 24 taken from Naughton Farms Garden Spot Show #11